How great films were shot, cut and graded, from film stocks and grain to long takes and editing choices.
Darius Khondji Pushed Kodak 500T on Marty Supreme and Called the Darkness “Poor Light”
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Darius Khondji does not aim for perfection. He has said so directly. On Marty Supreme — Josh Safdie’s 35mm period film about obsessive New York table tennis player Marty Mauser,…
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