Adobe

Camera operator shooting with an ARRI ALEXA 35 Xtreme rigged with a monitor, on a boat with mountains in the background

Premiere Pro 26.5 Can Now Cut ARRI’s ARRICORE Footage Without a Transcode

September 24, 2026

Premiere Pro 26.5 shipped on September 14, and the headline feature isn’t another generative-AI panel bolted onto the timeline. Buried in Adobe’s release notes is native support for ARRICORE, ARRI’s…

Screenshot of the Adobe Premiere Generative Media Tool prompt bar generating a sound effect in the timeline

Adobe’s New Generative Media Tool Puts AI Video Inside Premiere’s Actual Timeline

September 12, 2026

GrainzillaAuthor

AI, AI Tools & Workflows, AI Video, Filmmaking, News, Software

No Comments

Adobe’s new Generative Media Tool went live in Premiere ahead of IBC 2026, and it changes where AI video generation actually happens for editors: not in a separate app, not…

Sunset light leak and halation over a boat, shot on film

Adobe Camera Raw’s New Glow Tool Puts Halation Right Next to the Grain Slider

September 10, 2026

GrainzillaAuthor

Filmmaking, News, Photography, Software

No Comments

Adobe Camera Raw 18.6 added a Glow tool this week, and it lives in the Effects panel directly below the grain tool, which is not a small detail. Adobe just…

Adobe

Premiere Pro 26.5 Can Now Cut ARRI’s ARRICORE Footage Without a Transcode

Adobe’s New Generative Media Tool Puts AI Video Inside Premiere’s Actual Timeline

Adobe Camera Raw’s New Glow Tool Puts Halation Right Next to the Grain Slider

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